Kuba Czekaj on The Erlprince

Vol. 73 (March 2017) by Rohan Crickmar
Kuba Czekaj speaks about the themes that drive his work, outside perceptions, and some of his creative decisions.

Bojan Vuletić on Requiem for Mrs. J

Vol. 73 (March 2017) by Zoe Aiano
Vuletić reveals what inspired him to make his film, and whether he thinks there really is a place for optimism in his bleak vision of post-Yugoslav reality.

Rati Oneli on City of the Sun

Vol. 72 (February 2017) by Zoe Aiano
Oneli speaks about the making of his film, his conceptual approach, and plans for the future.

Šarūnas Bartas on his Work

Vol. 70 (December 2016) by Lukas Brašiškis
Bartas responds to our questions concerning his films, his style, and his philosophy.

Yervant Gianikian and Angela Ricci Lucchi on their Armenian Films

Vol. 69 (November 2016) by Moritz Pfeifer
The artist duo speak about their preoccupation with and interest in the Armenian genocide.

Catherine Coquio on Memory Culture

Vol. 69 (November 2016) by Moritz Pfeifer and Pau Bosch Santos
Catherine Coquio, expert of memory culture, elaborates on her cutting critique of the culture industry.

Ryszard Bugajski on his Career

Vol. 68 (October 2016) by Paulina Duda
Polish director Ryszard Bugajski speaks about his long filmmaking career, which took him across the Atlantic and back.

Salomé Jashi on The Dazzling Light of Sunset

Vol. 67 (September 2016) by John A. Riley
Jashi speaks about making The Dazzling Light, the role of media in Georgia, and funding problems in the country.

Laila Pakalniņa on her Films

Vol. 66 (Summer 2016) by Moritz Pfeifer
We met Laila Pakalniņa during the goEast film festival, where her new film Dawn screened in the competition in 2016.

Bogdan Mirică on Dogs

Vol. 66 (Summer 2016) by Zoe Aiano
Mirică speaks about his transition from screenwriter to director, the creative process and problems with mainstream storytelling.
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