Dmytro Moiseiev’s Grey Bees (Siri bdzholy, 2024)

Vol. 143 (March 2024) by Antonis Lagarias
On the disappearance of blurry lines during war.

Anna Hints’ Smoke Sauna Sisterhood (Savvusanna sõsarad, 2023)

Vol. 142 (February 2024) by Ana Grgić and Antonis Lagarias
An exploration of the sauna as a semi-private space allowing women to share life experiences.

Daniil Lebedev’s Heaven and Home (2023)

Vol. 142 (February 2024) by Zoe Aiano
A playful but poignant essay film on being displaced and out of place.

Karolos Zonaras’ Tranzit (2023)

Vol. 142 (February 2024) by Margarita Kirilkina
Father and son find themselves in a colorless space with arid soil.

Ilinca Calugareanu’s A Cautionary Tale (Cum să fiu mort, dacă-s viu?, 2023)

Vol. 142 (February 2024) by Martin Kudláč
A bizarre bureaucratic kerfuffle challenges the boundaries of documentary filmmaking.

Gentian Koçi’s A Cup of Coffee and New Shoes On (Një flixhan kafe dhe këpucë të reja veshur, 2022)

Vol. 142 (February 2024) by Margarita Kirilkina
Two deaf-mute twin brothers are plunged into blindness.

Petr Jančárek’s Havel Speaking, Can You Hear Me? (Tady Havel, slyšíte mě?, 2023)

Vol. 142 (February 2024) by Martin Kudláč
Petr Jančárek’s documentary offers an intimate glimpse into the final years of former Czech president Václav Havel.

Katalin Moldovai’s Without Air (Elfogy a levegő, 2023)

Vol. 141 (January 2024) by Margarita Kirilkina
A film unearthing the invisible force that keeps society in a state of fear.

Nemanja Vojinović’s Bottlemen (Flašaroši, 2023)

Vol. 141 (January 2024) by Jack Page
A documentary with a handsome aesthetic set on the world’s second-most polluted landfill.

Malika Musaeva’s The Cage Is Looking for a Bird (Kletka ishet ptitsu, 2023)

Vol. 141 (January 2024) by Margarita Kirilkina
Malika Musaeva follows the fate of young women living in a small, Caucasian village.
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