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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Editorial

Editorial

Vol. 128 (October 2022) by Editors
Essay

Ruslan Fedotov’s Where Are We Headed? (2021)

Vol. 128 (October 2022) by Antonis Lagarias
The weird and the wicked in Moscow's metro system.
Essay

Tracing Queer Narratives in Romanian Time-Based Media Art

Vol. 128 (October 2022) by Valentina Iancu
Valentina Iancu retraces the emergence of queer time-based media art in Romania.
Review

Bogdan Balla’s I Had Been Sleepwalking When I Saw All Those Colors (2021)

Vol. 128 (October 2022) by Anna Doyle
Bogdan Balla reflects on the ongoing struggle of the LGBTQ+ community in Romania.
Review

Dmytro Sukholytkyy-Sobchuk’s Pamfir (2022)

Vol. 128 (October 2022) by Antonis Lagarias
Escaping precarity in the Ukrainian countryside.
Festival

Bucharest IEFF 2021

Vol. 128 (October 2022) by Editors
Coverage from the 2021 Bucharest International Experimental Film Festival (November 17-21).
Review

Ioseb Bliadze’s A Room of My Own (Chemi otakhi, 2022)

Vol. 128 (October 2022) by Savina Petkova
Privacy and convergence in an oppressive environment.
Review

David Kapac and Andrija Mardešić’s The Uncle (Stric, 2022)

Vol. 128 (October 2022) by Colette de Castro
A wacky 1980s Christmas dinner staged by Croatian filmmaking duo David Kapac and Andrija Mardešić.


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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