• Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • Archive
  • Search
Perspectives
Retrospectives
Interviews
Festivals
Special Issues
Archive
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • Archive
goEast 2026
Review

Ivan Boiko’s The Wind Blows Wherever It Wants (2025)

Vol. 164 (April 2026) by Natalia Ashurovskaya
The cycle of life in the highlands of Tushetia, Georgia.
Review

Miro Remo’s Better Go Mad in the Wild (Raději zešílet v divočině, 2025)

Vol. 162 (February 2026) by Martin Kudláč
Miro Remo’s winner of Karlovy Vary’s top prize is his most overtly poetic film to date.
Interview

Hana Jušić on God Will Not Help

Vol. 160 (December 2025) by Savina Petkova
We met with Croatian director Hana Jušić to speak about her sophomore feature God Will Not Help.
Review

Hana Jušić’s God Will Not Help (Bog neće pomoći, 2025)

Vol. 160 (December 2025) by Savina Petkova
High up in the Croatian mountains, a shepherd girl meets the widow of her émigré brother.
Review

Alexandra Makarová’s Perla (2025)

Vol. 158 (October 2025) by Martin Kudláč
Protagonist Perla tries to build a new life for herself and her daughter after fleeing political repression.
Review

Radu Jude’s The Marshal’s Two Executions (Cele două execuții ale Mareșalului, 2018)

Vol. 91 (January 2019) by Colette de Castro
Radu Jude's latest feat compares original rushes of the execution of four collaborationist Romanian politicians with a fictional remake of the same scene.
Interview

Radu Jude on I Do Not Care If We Go Down in History as Barbarians

Vol. 89 (November 2018) by Ana Grgić
Radu Jude speaks about making his latest film, its theoretical underpinnings, and shooting on celluloid.
Review

Radu Jude’s I Do Not Care If We Go Down in History as Barbarians (Îmi este indiferent dacă în istorie vom intra ca barbari, 2018)

Vol. 86 (Summer 2018) by Moritz Pfeifer
Radu Jude explores Romania’s complicity in the destruction of European Jews in his daring and intelligent film.
Essay

The Rejection of the Family in Cristian Mungiu’s 4 Months, 3 Weeks and 2 Days (2007) and Călin Peter Netzer’s Child’s Pose (2013)

Vol. 58 (October 2015) by Julia Zelman
Julia Zelman compares the absence of food culture in two arthouse triumphs of the Romanian New Wave.


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

Pages

  • ABOUT
  • TEAM
  • CONTACT US
  • CONTRIBUTE
  • NEWSLETTER
  • Support Us

© 2026 - EEFB - CONTACT - PRIVACY POLICY

[easy-social-share]

This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
SAVE & ACCEPT