Editorial

Vol. 5 (May 2011) by Editors

Cannes 2011

Vol. 5 (May 2011) by Editors
Live coverage from the 64th Cannes Film Festival (May 11-22).

Bakur Bakuradze on The Hunter

Vol. 5 (May 2011) by Moritz Pfeifer
Bakuradze speaks about the characters in his film, and about how they fit into the universe that he is depicting.

Peter Bacsó’s The Witness (A Tanu, 1969)

Vol. 5 (May 2011) by Colette de Castro
This film was banned in Hungary from 1969 to 1981. Set in the 1950s, it portrays a corrupt and deceitful system of government.

Catalin Mitulescu on Loverboy

Vol. 5 (May 2011) by Moritz Pfeifer
We met Catalin Mitulescu to talk to him about Romanian reality, the inspiration for his film, and the reasons why he likes working with teenagers.

Catalin Mitulescu’s Loverboy (2011)

Vol. 5 (May 2011) by Moritz Pfeifer
Catalin Mitulescu tells a disturbing love story set in the world of sex trafficking.

Roman Polanski’s Knife in the Water (Nóż w wodzie, 1962)

Vol. 5 (May 2011) by Konstanty Kuzma
Konstanty Kuzma examines the nature of potency in Polanski’s film.

Roman Polanski’s Knife in the Water (Nóż w wodzie, 1962)

Vol. 5 (May 2011) by Moritz Pfeifer
Moritz Pfeifer reflects upon the different meanings attributed to the knife in Polanski’s piece.

Bakur Bakuradze’s The Hunter (Okhotnik, 2011)

Vol. 5 (May 2011) by Moritz Pfeifer
A man has to deal with everyday reality on his farm. When two workers from a local prison colony appear on his property, things begin to change…

Alexei Fedorchenko’s First on the Moon (Pervye na Lune, 2005)

Vol. 5 (May 2011) by Konstanty Kuzma
First on the Moon is a mockumentary by Alexei Fedorchenko tthat changes the history of spaceflight in favor of the Soviet Union.
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