Editorial

Vol. 54 (June 2015) by Editors

Radu Muntean on One Floor Below

Vol. 54 (June 2015) by Konstanty Kuzma
Muntean speaks about his work, Romanian cinema and the role of morality in his film and elsewhere.

Transitioning Between Televisions

Vol. 54 (June 2015) by Rohan Crickmar
Rohan Crickmar examines the Agnieszka Holland's transnational ties with the TV industry.

Radu Muntean’s One Floor Below (Un etaj mai jos, 2015)

Vol. 54 (June 2015) by Konstanty Kuzma
One Floor Below revolves around a man who withholds key evidence from a police investigation.

Hamo Beknazarian’s Namus (1926)

Vol. 54 (June 2015) by Konstanty Kuzma
Konstanty Kuzma analyzes the role of tradition in this silent classic from 1926.

Gabor Reisz’s For Some Inexplicable Reason (VAN valami furcsa és megmagyarázhatatlan, 2014)

Vol. 54 (June 2015) by Colette de Castro
This debut feature of Gabor Reisz follows Aron, a young cinema studies graduate, from the Hungarian capital to Lisbon and back.

Yuri Bykov’s The Fool (Durak, 2014)

Vol. 54 (June 2015) by Julia Zelman
The moral decay pictured in Yuri Bykov's new film reminds Julia Zelman of Bulgakov's The Master and Margarita.

Elçin Musaoğlu’s The 40th Door (40-cı qapı, 2009)

Vol. 54 (June 2015) by Moritz Pfeifer
Moritz Pfeifer questions the neorealist elements in this film and asks why Azerbaijani films have not further explored magical realism as a style.