Golden Apricot 2019

In their second feature, Natasha Merkulova and Aleksey Chupov approach issues surrounding gender politics and sexual norms through a local folk-tale.
In 2012, Maria Saakyan made a 180°-turn by leaving behind arthouse aesthetics in her popculture-induced and highly referential vision of apocalypse.
Maria Saakyan zeroes in on conveying a sense of subjectivity in her playful coming-of-age story.
In steering clear from depicting graphic violence in a WWII drama, Russian director Kantemir Balagov keeps his promise to his mentor Alexander Sokurov - almost.
A woman's spontaneous participation and triumph in an all-male Epiphany event spells trouble.