Editorial

Vol. 1 (January 2011) by Editors

Marcin Wrona on My Flesh, My Blood

Vol. 1 (January 2011) by Colette de Castro
Polish director Marcin Wrona discusses his new film.

Nikolaj Nikitin on the State of Russian Cinema

Vol. 1 (January 2011) by Konstanty Kuzma
Interview with Nikolaj Nikitin, the Berlinale's delegate for Eastern Europe, about Russian cinema, the Russian film industry and the term "Eastern European cinema".

Radu Muntean’s The Paper Will Be Blue (Hirtia va fi albastra, 2006)

Vol. 1 (January 2011) by Moritz Pfeifer
Radu Muntean's film follows a military unit in Bucharest on the night of the Romanian Revolution of 1989.

Dan Piţa’s Sand Cliffs (Faleze de Nisip, 1983)

Vol. 1 (January 2011) by Moritz Pfeifer
Dan Piţa's 1983 movie tells the disconcerting story of a false accusation of theft.

Giorgi Shengelaia’s Pirosmani (1969)

Vol. 1 (January 2011) by Konstanty Kuzma
Giorgi Shengelaia retells the tragic biography of Georgian painter Nikoloz Pirosmani.

Jasmila Žbanić’s On the Path (Na Putu, 2010)

Vol. 1 (January 2011) by Moritz Pfeifer
Jasmila Žbanić's second feature film depicts the break-up of a young couple.

Marcin Wrona’s My Flesh, My Blood (Moja krew, 2009)

Vol. 1 (January 2011) by Moritz Pfeifer
Marcin Wrona's film revolves around the relationship between a dying boxer and a young Vietnamese immigrant.

Radu Muntean’s Tuesday after Christmas (Marti, dupa craciun, 2010)

Vol. 1 (January 2011) by Konstanty Kuzma
Radu Muntean's aestheticized film reflects on change at Christmas time.