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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Editorial

Editorial

Vol. 102 (February 2020) by Editors
Review

Daniil Zinchenko’s Tinnitus (2019)

Vol. 102 (February 2020) by Antonis Lagarias
In his creative documentary, Daniil Zinchenko approaches Death by portraying a 90s underground scene.
Review

Valentyn Vasyanovych’s Atlantis (2019)

Vol. 102 (February 2020) by Anastasia Eleftheriou
Valentyn Vasyanovych's outlook on future life in Ukraine is dominated by static tableaux, and pessimism.
Review

Adilkhan Yerzhanov’s A Dark-Dark Man (2019)

Vol. 102 (February 2020) by Anastasia Eleftheriou
Kazakh filmmaker Adilkhan Yerzhanov's latest film conveys an impression of stylistic undecidedness.
Review

Carolin Koss’ Copper Mountains (2019)

Vol. 102 (February 2020) by Antonis Lagarias
This environmental documentary raises questions about the efficacy of political filmmaking.
Festival

Berlinale 2020

Vol. 102 (February 2020) by Editors
Live coverage from the 70th Berlin International Film Festival (February 20-March 1).
Review

Abel Ferrara’s Siberia (2020)

Vol. 102 (February 2020) by Konstanty Kuzma
Abel Ferrara takes Willem Dafoe to the woods for his image-laden spectacle.
Review

Andrey Gryazev’s Kotlovan (2020)

Vol. 102 (February 2020) by Konstanty Kuzma
Russian filmmaker Andrey Gryazev assembles a film from YouTube videos addressing president Vladimir Putin.
Festival

Rotterdam 2020

Vol. 102 (February 2020) by Editors
Coverage from the International Film Festival Rotterdam (January 22-February 2).


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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