Konstanty Kuzma met Pálfi to speak to him about his directorial style, the problems of political filmmaking, and where he sees Hungary today.
Moritz Pfeifer thinks about biopics about intellectuals, focusing on the recent productions Hannah Arendt and The Last Station, which screens at the 2020 Berlinale.
Julia Zelman ponders about Pálfi’s vision of nature, and finds curious cinematic references to his 2002 debut feature.