Anna Shishova’s The New Greatness Case (Ansa Moskovassa, 2022)
A rare Russian film not shunned by the international film community.
Oldřich Lipský’s Happy End (Šťastný konec, 1967)
In this 1967 comedy, time runs backwards.
Natasha Merkulova and Aleksey Chupov’s Captain Volkonogov Escaped (Kapitan Volkonogov bezhal, 2021)
An aestheticized take on the Soviet Great Terror (1936-1938).
David Kapac and Andrija Mardešić’s The Uncle (Stric, 2022)
A wacky 1980s Christmas dinner staged by Croatian filmmaking duo David Kapac and Andrija Mardešić.
Aleksei German Jr.'s latest film is the portrait of a university professor facing political pressure.
Jan Šikl’s Reconstruction of Occupation (Rekonstrukce okupace, 2021)
Jan Šikl revisits the Prague Spring by assembling a collection of contemporary home movies.
Czech-Slovenian filmmaker Olmo Omerzu discusses his latest film.
Omerzu's latest film clumsily juxtaposes male success and female hysteria.
A theater ensemble and its relation to protest movements in Belarus.
Belarusian-German filmmaker Aliaksei Paluyan discusses his documentary about the protest movement in Belarus.
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