Colette de Castro reviews Georgian director Nana Dzhordzhadze's newest pic about teenage love.
Colette de Castro faults Jan Komasa's newest historical pic for deliberately falsifying history and poorly imitating Hollywood blockbusters.
Miroslav Krobot is known for his roles as mysterious loners. What can we expect from him as a director?
Rok Biček’s first feature is a fascinating psychodrama which concentrates on the metaphysics of blame.
In her documentary, Ania Szczepanska meets the directors of Polish cinema’s golden age.
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