Colette de Castro

This debut feature of Gabor Reisz follows Aron, a young cinema studies graduate, from the Hungarian capital to Lisbon and back.

Nana Dzhordzhadze’s My mermaid, My Lorelei (Moya rusalka, moya Lorelyay, 2005)

Colette de Castro reviews Georgian director Nana Dzhordzhadze's newest pic about teenage love.

Colette de Castro faults Jan Komasa's newest historical pic for deliberately falsifying history and poorly imitating Hollywood blockbusters.

Clownwise is a comedy about a clowning trio whose members reunite after one of them returns from France.

We talked with Karel Och, the artistic director of the Karlovy Vary IFF.

Miroslav Krobot is known for his roles as mysterious loners. What can we expect from him as a director?

A family is forced to stay in their house under mysterious circumstances.

The courageous debut by Signe Baumane uses the example of her family to question her own sanity.

Rok Biček’s first feature is a fascinating psychodrama which concentrates on the metaphysics of blame.