Małgorzata Szumowska’s In the Name of… (W imię…, 2013)

Vol. 37 (January 2014) by Moritz Pfeifer
In her new movie, Szumowska tells the love story between a country priest and a young man working in a community center.

Mila Turajlić’s Cinema Komunisto (2011)

Vol. 35 (November 2013) by Moritz Pfeifer
Director Mila Turajlić revisits the dark and glorious historical moments of Yougoslavia’s first film studio.

Family Nest (Családi tüzfészek, 1979) and Macbeth (1982)

Vol. 34 (October 2013) by Moritz Pfeifer
Moritz Pfeifer compares Béla Tarr's Macbeth to his Family Nest.

Benedek Fliegauf on Just the Wind

Vol. 32 (August 2013) by Moritz Pfeifer
Moritz Pfeifer met Benedek Fliegauf to speak to him about his latest film, its reception, and making films in Hungary.

Biopics on Intellectuals

Vol. 31 (July 2013) by Moritz Pfeifer
Moritz Pfeifer thinks about biopics about intellectuals, focusing on the recent productions Hannah Arendt and The Last Station, which screens at the 2020 Berlinale.

Alexei Fedorchenko on Silent Souls

Vol. 30 (June 2013) by Moritz Pfeifer
Moritz Pfeifer met Alexei Fedorchenko to speak to him about Celestial Wives of the Meadow Mari and Silent Souls, his stylistic choices, and comedy films in Russia.

Benedek Fliegauf’s Dealer (2004)

Vol. 30 (June 2013) by Moritz Pfeifer
Moritz Pfeifer saw Benedek Fliegauf’s Dealer.

Sergei Loznistsa’s Letter (Pismo, 2013)

Vol. 29 (May 2013) by Moritz Pfeifer
Moritz Pfeifer saw Sergei Loznitsa’s latest film set in a psychiatric institution on the Russian countryside.

Kirill Serebrennikov’s Betrayal (Izmena, 2012)

Vol. 28 (April 2013) by Moritz Pfeifer
Kirill Serebrennikov’s new film points to his background in theater.

Adilkhan Yerzhanov’s Constructors (Stroiteli, 2013)

Vol. 28 (April 2013) by Moritz Pfeifer
Constructors is an absurdist parable on government control and social dissent.
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