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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Larisa Sadilova’s Once in Trubchevsk (Odnazhdy v Trubchevske, 2019)

Vol. 96 (Summer 2019) by Moritz Pfeifer
Larisa Sadilova’s new film tells an unadorned story of adultery.
Review

Marko Šantić’s Together (Skupaj, 2018)

Vol. 95 (May 2019) by Moritz Pfeifer
This well-meaning film about a legal battle over same-sex marriage ends up idealizing democratic compromise.
Review

Bujar Alimani’s The Delegation (Delegacioni, 2018)

Vol. 95 (May 2019) by Moritz Pfeifer
The impending regime change in Albania post-1989 provides Bujar Alimani with many opportunities for dry humor.
Review

Aurel Klimt’s Laika (Lajka, 2017)

Vol. 86 (Summer 2018) by Moritz Pfeifer
Aurel Klimt gives the story of Laika, the dog that was sent to outer space in 1957, a utopian spin.
Review

Vitaly Mansky’s Putin’s Witnesses (Svideteli Putina, 2018)

Vol. 86 (Summer 2018) by Moritz Pfeifer
Vitaly Mansky rails against the passive bystanders of history, including himself, in this behind-the-scenes look at Putin's ascent to power.
Review

Radu Jude’s I Do Not Care If We Go Down in History as Barbarians (Îmi este indiferent dacă în istorie vom intra ca barbari, 2018)

Vol. 86 (Summer 2018) by Moritz Pfeifer
Radu Jude explores Romania’s complicity in the destruction of European Jews in his daring and intelligent film.
Essay

Maciej Drygas’ Hear My Cry (Usłyszcie mój krzyk!, 1991)

Vol. 84 (April 2018) by Moritz Pfeifer
Moritz Pfeifer locates Maciej Drygas' documentary on the self-immolation of Ryszard Siwiec at the beginning of what can be called the canonization of secret heroes, the rediscovery of political martyrs to construct identity-building historical narratives.
Interview

Marta Prus on Over the Limit

Vol. 81 (January 2018) by Moritz Pfeifer
We met Polish filmmaker Marta Prus to speak about her intimate peek beyond the facade of competitive gymnastics.
Review

Marta Prus’ Over the Limit (2017)

Vol. 81 (January 2018) by Moritz Pfeifer
This film offers a look behind the flashy and effortless facade of gymnastics.
Essay

Andrey Zvyagintsev’s Loveless (Nelyubov, 2017)

Vol. 77 (September 2017) by Moritz Pfeifer
Andrey Zvyagintsev's latest film is an overambitious metaphor about how we deal with our children.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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