Moritz Pfeifer

Dmytro Hreshko’s Divia (2025)

Russia’s invasion of Ukraine and the ecological consequences of war.

Sergei Loznitsa’s latest film trades insight for aestheticized rebuke.

In this mini-series, a young woman takes charge, gun in hand.

An obstetrician in rural Georgia provides access to criminalized abortions.

The traditional economy of domination gives way to a new economy of moral exhibitionism.

Larisa Sadilova’s new film tells an unadorned story of adultery.

This well-meaning film about a legal battle over same-sex marriage ends up idealizing democratic compromise.

The impending regime change in Albania post-1989 provides Bujar Alimani with many opportunities for dry humor.

Aurel Klimt gives the story of Laika, the dog that was sent to outer space in 1957, a utopian spin.

Vitaly Mansky rails against the passive bystanders of history, including himself, in this behind-the-scenes look at Putin's ascent to power.

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