Nonsensical and surreal on the outside, Jan Toomik's film is in truth about an age-old conflict of human existence.
Moritz Pfeifer saw Winter Song, Otar Iosseliani’s attempt to reanimate his trademark comedic style.
Moritz Pfeifer saw Jacek Petrycki's archival documentary about Polish underground resistance during martial law.
Moritz Pfeifer discusses the symbolic tradition of the pomegranate in the Caucasus and in Parajanov's films.
Bakur Bakuradze's cinematic contribution to the human representation of war criminals is theoretically interesting but aesthetically flawed.
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