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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Otar Iosseliani’s Winter Song (Chant d’hiver, 2015)

Vol. 60 (December 2015) by Moritz Pfeifer
Moritz Pfeifer saw Winter Song, Otar Iosseliani’s attempt to reanimate his trademark comedic style.
Review

Jacek Petrycki’s My Notes from the Underground (Moje zapiski z podziemia, 2011)

Vol. 59 (November 2015) by Moritz Pfeifer
Moritz Pfeifer saw Jacek Petrycki's archival documentary about Polish underground resistance during martial law.
Review

Dalibor Matanić’s The High Sun (Zvizdan, 2015)

Vol. 59 (November 2015) by Moritz Pfeifer
Unlike his postmodern peers, Dalibor Matanić embraces the emotional burden of the Balkan wars in his Cannes-selected feature.
Review

Alexander Sokurov’s Francofonia (2015)

Vol. 59 (November 2015) by Moritz Pfeifer
Alexander Sokurov gets tangled up in delusional idealizations of art in his meditation on the Louvre.
Review

Jerzy Skolimowski’s 11 Minutes (11 minut, 2015)

Vol. 59 (November 2015) by Moritz Pfeifer
Jerzy Skolimowski's latest film is a multi-strand thriller which ends in rampage and confusion.
Essay

Symbol and Tradition in Parajanov’s Caucasian Trilogy

Vol. 58 (October 2015) by Moritz Pfeifer
Moritz Pfeifer discusses the symbolic tradition of the pomegranate in the Caucasus and in Parajanov's films.
Review

Bakur Bakuradze’s Brother Deyan (Brat Deyan, 2015)

Vol. 57 (September 2015) by Moritz Pfeifer
Bakur Bakuradze's cinematic contribution to the human representation of war criminals is theoretically interesting but aesthetically flawed.
Review

Ilgar Safat’s The Precinct (Sahə, 2010)

Vol. 56 (August 2015) by Moritz Pfeifer
Moritz Pfeifer lauds the dream sequences in Ilgar Safat’s drama, though he ultimately criticizes the film for resorting to tried and tested neorealist techniques.
Essay

Atom Egoyan’s Calendar (1993)

Vol. 56 (August 2015) by Moritz Pfeifer
Moritz Pfeifer critically examines the aspects of identity politics in Atom Egoyan's Calendar, advocating an existential reading of the film's main conflict.
Review

Corneliu Porumboiu’s The Treasure (Comoara, 2015)

Vol. 55 (July 2015) by Moritz Pfeifer
In Corneliu Porumboiu’s latest feature, three men go on an unlikely treasure hunt.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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