Moritz Pfeifer discusses the symbolic tradition of the pomegranate in the Caucasus and in Parajanov's films.
Bakur Bakuradze's cinematic contribution to the human representation of war criminals is theoretically interesting but aesthetically flawed.
Moritz Pfeifer analyzes the aesthetic and social meaning of the dream in Porumboiu's first medium-length feature of 2004.
Moritz Pfeifer gives a linguistic reading of Porumboiu's first feature length film of 2006.
Moritz Pfeifer traces back the story of Harutyun Khachatryan's 1991 film to the Old Testament.
We met Armenian director Harutyun Khachatryan during the L’Europe autour de l’Europe festival in Paris.
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