Kristina Grozeva and Petar Valchanov's second feature is a technically flawless bleak comedy about an ordinary man's descent to hell.
The artist duo speak about their preoccupation with and interest in the Armenian genocide.
Moritz Pfeifer places Yervant Gianikian and Angela Ricci Lucchi's Armenian films in the context of the aesthetics that have dominated European memory culture.
Vytaly Mansky's poignant documentary challenges the widely held belief that the indoctrination of people living under a terror regime like North Korea is complete.
In his recognizable follow-up to We Are Never Alone, Peter Václav falls victim to his own narrative pitfalls.
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