Sector and Soft Power use choreography as a metaphor for cohesion and division respectively.
Film theorist and documentarian Andrea Slováková explores the matrix of industrial interdependencies.
In his most ambitious animation to-date, Dalibor Barić explores the limits of formal and narrative experimentation.
A Hungarian film infused with philosophical obsessions with decay and Ana Hušman’s latest work both dwell upon what is absented from vision.
I, Olga Hepnarova is a masterfully shot slow-burner about an unlikely murderer.
Rohan Crickmar closely examines recent developments in Poland's comedy landscape, and wonders why they are largely unknown to international audiences.
Privacy & Cookies Policy
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Send this to a friend