Tanja Deman’s Horizon (Horizont, 2021)

Vol. 125 (May 2022) by Anna Doyle
The Adriatic sea between a nostalgic past and an apocalyptic future.

Mateja Zidarić’s Pleiades (Plejade, 2021)

Vol. 124 (April 2022) by Anna Doyle
In her experimental short, Mateja Zidarić explores the interconnections of digitality and mythology.

Davor Konjikušić and Nika Petković’s Uvala (2021)

Vol. 122 (February 2022) by Anna Doyle
This experimental short is an engagement with contemporary perversions of remembrance.

Zrinko Ogresta’s A Blue Flower (Plavi cvijet, 2021)

Vol. 117 (September 2021) by Mihai Fulger
The latest feature of Zrinko Ogresta centers around a single mother and her relations with her surroundings.

Srđan Kovačević’s Factory to the Workers (Tvornice Radnicima, 2021)

Vol. 117 (September 2021) by Zoe Aiano
A worker-owned factory in the throes of contemporary capitalism and political ignorance.

Srđan Kovačević on Factory to the Workers

Vol. 117 (September 2021) by Zoe Aiano
Srđan Kovačević discusses the politics and making of his film about a worker-owned factory in Croatia.

Pavo Marinković on the Pula Film Festival

Vol. 117 (September 2021) by Mihai Fulger
A conversation on the future of the Pula film festival with its new artistic director.

Ivan Ramljak on Once Upon a Youth

Vol. 107 (September 2020) by Isabel Jacobs
We spoke to Ivan Ramljak during the DokuFest Prizren, where his collage-film Once Upon a Youth won the Balkan Doc competition.

Ivan Ramljak’s Once Upon a Youth (O jednoj mladosti, 2020)

Vol. 107 (September 2020) by Isabel Jacobs
Ivan Ramljak’s collage-film catapults the viewer into the heart of Zagreb’s underground scene in the late 1990s and early 2000s.

Vinko Brešan’s What a Country! (Koja je ovo drzava!, 2018)

Vol. 99 (November 2019) by Lucian Tion
Vinko Brešan's mercurial comedy calls for the abolition of the Croatian state.
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