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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Vladimir Tomić’s Flotel Europa (2015)

Vol. 66 (Summer 2016) by Zoe Aiano
In this autobiographical documentary, Vladimir Tomić relates the refugee crisis to the refugees of the Balkan wars.
Essay

Bobo Jelčić’s A Stranger (2013) & Ognjen Glavonić’s Depth Two (2016)

Vol. 64 (April 2016) by Moritz Pfeifer
Moritz Pfeifer saw two films that deal with “Othering” through aspects of grief.
Review

Nikola Ljuca’s Humidity (Vlažnost, 2016)

Vol. 64 (April 2016) by Konstanty Kuzma
Nikola Ljuca unmasks the hypocrisy of Serbia’s elite in his compelling feature.
Review

Ognjen Glavonić’s Depth Two (Dubina dva, 2016)

Vol. 62 (February 2016) by Colette de Castro
This investigative documentary by young Serbian filmmaker Ognjen Glavonić is a powerful reflection on the Kosovo war and memory…
Review

Danis Tanović’s Death in Sarajevo (Smrt u Sarajevu, 2016)

Vol. 62 (February 2016) by Anastasia Eleftheriou
Oddly chic for its subject matter, Danis Tanović’s Levi-inspired competition entry is a failed attempt at political filmmaking.
Review

Dalibor Matanić’s The High Sun (Zvizdan, 2015)

Vol. 59 (November 2015) by Moritz Pfeifer
Unlike his postmodern peers, Dalibor Matanić embraces the emotional burden of the Balkan wars in his Cannes-selected feature.
Essay

Food as Transnational Object in Balkan Cinema

Vol. 58 (October 2015) by Ana Grgić
Ana Grgić examines how food reflects debates about transnational identities in the Balkans.
Review

Bakur Bakuradze’s Brother Deyan (Brat Deyan, 2015)

Vol. 57 (September 2015) by Moritz Pfeifer
Bakur Bakuradze's cinematic contribution to the human representation of war criminals is theoretically interesting but aesthetically flawed.
Review

Darko Lungulov’s Monument to Michael Jackson (Spomenik Majklu Dzeksonu, 2014)

Vol. 53 (May 2015) by Julia Zelman
Julia Zelman ponders Darko Lungulov’s ambivalent relationship with Hollywood dogma.
Interview

Iris Elezi and Thomas Logoreci on Bota

Vol. 50 (February 2015) by Ana Grgić
Iris Elezi and Thomas Logoreci respond to EEFB's questions.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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