Linas Mikuta’s Roman’s Childhood (Romano vaikystė, 2020)

Vol. 111 (January 2021) by Zoe Aiano
Linas Mikuta portrays a relatively happy family doing their best in the face of capitalism.

Alexander Belinski and Agne Dovydaityte’s The Sun Sets in the East (Saulė leidžias rytuose, 2018)

Vol. 95 (May 2019) by Lucian Tion
This promising debut recaptures the past through the apolitical musings from a so-called "peasant's journal".

Kristīne Briede and Audrius Stonys’ Bridges of Time (Laika tilti, 2018)

Vol. 90 (December 2018) by Zoe Aiano
Kristīne Briede and Audrius Stonys revisit the protagonists of Baltic Poetic Documentary.

Šarūnas Bartas’ Frost (2017)

Vol. 76 (Summer 2017) by Zoe Aiano
Šarūnas Bartas addresses the Ukrainian elephant in the room by thematically picking up the country’s ongoing, political crisis.

Šarūnas Bartas’ Peace to Us in Our Dreams (Ramybė mūsų sapnuose, 2015)

Vol. 71 (January 2017) by Carlos Kong
Carlos Kong saw the latest addition to Šarūnas Bartas' affective oeuvre.

Šarūnas Bartas on his Work

Vol. 70 (December 2016) by Lukas Brašiškis
Bartas responds to our questions concerning his films, his style, and his philosophy.

Šarūnas Bartas’ The Corridor (1994), In Memory of a Day Gone By (1990), Three Days (1991)

Vol. 70 (December 2016) by Lukas Brašiškis
Lukas Brašiškis argues that it is everyday objects, rather than grand-scale events, which drive the lives of Bartas' early characters.

Soviet Occupation in Baltic Film

Vol. 69 (November 2016) by Zoe Aiano
Zoe Aiano recounts the way WWII films from the Baltics have kept reassigning the roles of culprits, albeit always from a position of moral superiority.

Andrius Blaževičius’ The Saint (Šventasis, 2016)

Vol. 70 (December 2016) by Jack Page
In Andrius Blaževičius’ ironically titled film, a man fearing for his masculinity befriends the idea of being religious.

Raimondas Vabalas’ first creative period (1962-1971)

Vol. 66 (Summer 2016) by Mantė Valiūnaitė
Mantė Valiūnaitė looks at the first creative period of Lithuanian director Raimondas Vabalas.
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