Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
Jack Page looks at the much-hyped documentary Russian Woodpecker, which juxtaposes the nuclear accident with the turbulent political events happening in Ukraine today.
This portrait of Eastern Ukrainian city Mariupolis counters grand narratives of political division by focusing on the life and logic of local communities.
Russian director Sergei Loznitsa speaks about the political dimension of his work, and his upcoming feature In the Fog that will compete for the Palme d’Or in Cannes.
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