Nora Agapi’s Timebox (2018)

Vol. 95 (May 2019) by Isabel Jacobs
Two documentary filmmakers, father and daughter, enter a creative dialog about their collective past and the nature of cinema.

Nora Agapi on Timebox

Vol. 95 (May 2019) by Isabel Jacobs
Nora Agapi speaks about the idea behind making a film about her relationship with her father, how it reflects her own memories, and what her plans for the future are.

Ismet Sijarina’s Cold November (Nëntor i ftohtë, 2018)

Vol. 95 (May 2019) by Isabel Jacobs
What was life like in Kosovo in the years leading up to Yugoslavia's violent disintegration?

Ismet Sijarina on Cold November

Vol. 95 (May 2019) by Isabel Jacobs
Ismet Sijarina speaks about Cold November, which is based on his childhood recollections of growing up in Kosovo before the Yugoslav Wars.

Crossing Europe 2019

Vol. 95 (May 2019) by Editors
Coverage from the Crossing Europe Film Festival in Linz (April 25-30).

Agnieszka Smoczyńska’s Fugue (Fuga, 2018)

Vol. 95 (May 2019) by Isabel Jacobs
Agnieszka Smoczyńska returns with a drama about a woman who lost her identity and the memories of her prior life.

Teona Strugar Mitevska’s God Exists, Her Name Is Petrunya (Gospod postoi, imeto i’ e Petrunija, 2019)

Vol. 93 (March 2019) by Zoe Aiano
A woman's spontaneous participation and triumph in an all-male Epiphany event spells trouble.

Marius Olteanu’s Monsters. (Monștri., 2019)

Vol. 93 (March 2019) by Zoe Aiano
Monsters depicts the crisis point in a relationship between a young, seemingly well-to-do couple.

Anja Kofmel’s Chris the Swiss (2018)

Vol. 92 (February 2019) by Alice Heneghan
Illustrator Anja Kofmel paints a subjective portrait of her journalist-turned-soldier cousin Christian Würtenberg, who died during the Yugoslav wars.

Simona Kostova’s Thirty (Dreissig, 2018) & Ena Sendijarević’s Take Me Somewhere Nice (2019)

Vol. 92 (February 2019) by Rohan Crickmar
Two female filmmakers with Balkan background work around the edges of their own biographies.
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