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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Olmo Omerzu’s Winter Flies (Všechno bude, 2018)

Vol. 86 (Summer 2018) by Jack Page
In this road-movie, an unlikely teenage duo embark on a predictable journey of pranks, dangers, and disillusionment.
Review

Aurel Klimt’s Laika (Lajka, 2017)

Vol. 86 (Summer 2018) by Moritz Pfeifer
Aurel Klimt gives the story of Laika, the dog that was sent to outer space in 1957, a utopian spin.
Review

Roman Bondarchuk’s Volcano (Vulkan, 2018)

Vol. 86 (Summer 2018) by Colette de Castro
In his debut fiction feature, Roman Bondarchuk returns to the chaos of the current political situation in Ukraine.
Review

Vitaly Mansky’s Putin’s Witnesses (Svideteli Putina, 2018)

Vol. 86 (Summer 2018) by Moritz Pfeifer
Vitaly Mansky rails against the passive bystanders of history, including himself, in this behind-the-scenes look at Putin's ascent to power.
Review

Bojina Panayotova’s I See Red People (Je vois rouge, 2018)

Vol. 82 (February 2018) by Zoe Aiano
This highly personal docu-essay revisits Bulgaria's Communist past through a generational conflict.
Review

Iris Elezi and Thomas Logoreci’s Bota (2014)

Vol. 50 (February 2015) by Ana Grgić
Ana Grgić writes EEFB's first review of a majorly Albanian film, which portrays Albania in the dream-like microcosm of a remote bar.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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