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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Festival

Ji.hlava 2019

Vol. 99 (November 2019) by Editors
Coverage from the 24th Ji.hlava International Documentary Film Festival (October 24-October 29).
Review

Sergey Dvortsevoy’s Bread Day (Khlebnyy den, 1998)

Vol. 99 (November 2019) by Zoe Aiano
A remote village, recurrent routines and a straightforward filmmaking approach harmonize in Dvortsevoy’s early documentary.
Review

Tamara Kotevska and Ljubomir Stefanov’s Honeyland (2019)

Vol. 99 (November 2019) by Zoe Aiano
This all-too perfect documentary dwells on the fate of tradition in the modern world.
Review

Alex Brendea’s Teach (Profu’, 2019)

Vol. 99 (November 2019) by Zoe Aiano
Alex Brendea reverses the dynamics of the classic one-man versus the broken system narrative.
Review

Johana Ožvold’s The Sound is Innocent (2019)

Vol. 99 (November 2019) by Zoe Aiano
This creative documentary tests genre conventions only to lose its way.
Review

Filip Remunda’s The Okamura Brothers (Český žurnál: Bratři Okamurovi, 2019)

Vol. 94 (April 2019) by Anastasia Eleftheriou
This creative documentary portrays three brothers from Czechia's public sphere.
Interview

Filip Remunda and Jan Gogola on Okamura Brothers

Vol. 94 (April 2019) by Editors
Documentary filmmaker Filip Remunda and script-editor Jan Gogola speak about their film about three dissimilar brothers from the Czech public sphere.


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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