Maria Kuvshinova reflects on the bar set by Ukrainian filmmaker Sentsov for measuring dignity. Sentsov recently went on a hunger strike demanding the release of Ukrainian political prisoners in Russia, where he himself is serving a 20-year sentence.
Georgian writer, historian and screenwriter Aka Morchiladze examines the phenomenon of literary adaptations in the Soviet Union, and in Georgia in particular.
László Strausz (Eötvös Loránd University) surveys the narrational and stylistic tactics engaged by contemporary Hungarian directors in their representation of the historical past.
Miško Šuvaković (University of Arts, Belgrade) situates his native Serbia within an emergent sphere of artistic production vis-à-vis the world of high art.
Mikhail Iampolski (New York University) retraces the genealogy of the cinematic man starting with Soviet films of the 1920s, and ending with contemporary Russian cinema.
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