Perspectives

Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Iveta Grófová’s Little Harbour (Piata loď, 2017)

Iveta Grófová’s latest feature, painted in blue, is a film told from the perspective of a 10-year old girl.

Lukáš Kokeš and Klára Tasovská took to a Czech border town to portray four local students in the lead up to their final exams.

This collaborative feature misidentifies the ghosts that haunt Europe today.

Aleksei German Jr. follows the recent trend of biopics with his portrait of Armenian-Jewish writer Sergei Dovlatov.

Uricaru's debut feature is an embittered and scathing vision of immigrant life in contemporary America.

This Slovak-Ukrainian co-production picks up two themes whose relevance has only increased since its release last year.

Together with her protagonists, Czech documentarian Jana Počtová reflects on parenthood.

Daniil Lebedev wonders what are the reasons why public officials in Russia are unable to laugh about this comedy on the times of Soviet terror.

This film portrays at once the immense fragility of a woman who has been enslaved for ten years by a Hungarian family, and her startling strength.

This highly personal docu-essay revisits Bulgaria's Communist past through a generational conflict.