Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Rok Biček’s Class Enemy (Razredni sovražnik, 2013)

Vol. 43 (July 2014) by Colette de Castro
Rok Biček’s first feature is a fascinating psychodrama which concentrates on the metaphysics of blame.

Ania Szczepanska’s We Film the People (Nous filmons le peuple, 2012)

Vol. 42 (June 2014) by Colette de Castro
In her documentary, Ania Szczepanska meets the directors of Polish cinema’s golden age.

Nevio Marasovic’s Vis-à-vis (2013)

Vol. 42 (June 2014) by Konstanty Kuzma
A director and his actor travel to an island to work on the script for their next project.

Maya Vitkova’s Viktoria (2013)

Vol. 42 (June 2014) by Konstanty Kuzma
Maya Vitkova’s film revolves around a mother, and her unloved daughter.

Wladyslaw Pasikowski’s Aftermath (Pokłosie, 2012)

Vol. 42 (June 2014) by Moritz Pfeifer
Moritz Pfeifer analyzes "memory tales" - stories which revolve around, but do not take place during the Second World War.

Ivan Ostrochovský, Pavol Pekarčík, Peter Kerekes’ Velvet Terrorists (Zamatoví teroristi, 2013)

Vol. 41 (May 2014) by Colette de Castro
This collaborative, experimental film follows the fate of three dissidents who were jailed for committing terrorist acts under Czechoslovak Socialism.

Yusup Razykov’s Shame (Styd, 2013)

Vol. 41 (May 2014) by Moritz Pfeifer
In his new film Shame, Uzbek director Yusup Razykov tackles a tragic accident from the point of view of the wives that survived their husbands.

Marko Šantić’s Seduce Me (Zapelji me, 2013)

Vol. 41 (May 2014) by Moritz Pfeifer
Marko Šantić's first feature explores elements of seriocomedy to tell the coming of age story of a young man in Slovenia.

Jacek Bromski’s One Way Ticket to the Moon (Bilet na Księżyc, 2013)

Vol. 41 (May 2014) by Konstanty Kuzma
The travels of two brothers are at the center of this film, which also examines the '68 generation in Socialist Poland.

Maciej Pieprzyca’s Life Feels Good (Chce się żyć, 2013)

Vol. 41 (May 2014) by Moritz Pfeifer
Maciej Pieprzyca's new film is based on the true story of a boy suffering from cerebral palsy.
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