Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

György Pálfi’s Final Cut – Ladies & Gentlemen (2012)

Vol. 31 (July 2013) by Konstanty Kuzma
Konstanty Kuzma saw György Pálfi’s latest film, a collage-hommage to the history of cinema.

Iveta Grófová’s Made in Ash (Až do mesta Aš, 2012)

Vol. 30 (June 2013) by Konstanty Kuzma
Iveta Grófová’s debut feature revolves around a young Slovak girl who travels to Czech Republic to find work.

Réka Kincses’s Homeland, Sex and Further Inconveniences (Szülőfold, szex és más kellemetlenségek, 2012)

Vol. 30 (June 2013) by Konstanty Kuzma
A married couple’s seemingly idyllic existence in Germany belies their struggle to find happiness.

Benedek Fliegauf’s Dealer (2004)

Vol. 30 (June 2013) by Moritz Pfeifer
Moritz Pfeifer saw Benedek Fliegauf’s Dealer.

Lyubov Arkus’s Anton’s Right Here (Anton tut ryadom, 2012)

Vol. 30 (June 2013) by Anastasia Eleftheriou
Lyubov Arkus documents her relationship with an autistic teenager.

Sergei Loznistsa’s Letter (Pismo, 2013)

Vol. 29 (May 2013) by Moritz Pfeifer
Moritz Pfeifer saw Sergei Loznitsa’s latest film set in a psychiatric institution on the Russian countryside.

Anka and Wilhelm Sasnal’s It Looks Pretty from a Distance (Z daleka widok jest piekny, 2011)

Vol. 29 (May 2013) by Colette de Castro
In this film by Anka and Wilhelm Sasnal, idyllic nature belies the decaying reality that underlies it.

Kornél Mundruczó’s Delta (2008)

Vol. 29 (May 2013) by Konstanty Kuzma
In this film by Hungarian helmer Kornél Mundruczó, a young man returns to his hometown to settle down.

Paul Negoescu’s A Month in Thailand (O luna in Thailanda, 2012)

Vol. 29 (May 2013) by Alina Popescu
In Paul Negoescu’s debut feature, a young man’s love life takes a turn on New Year’s Eve.

Kirill Serebrennikov’s Betrayal (Izmena, 2012)

Vol. 28 (April 2013) by Moritz Pfeifer
Kirill Serebrennikov’s new film points to his background in theater.
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