Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Vlad Petri’s Between Revolutions (Între revoluții, 2023)

Vol. 133 (March 2023) by Anna Doyle
Vlad Petri fictionalizes the correspondence of two students who lived through times of political turmoil in Iran and Romania.

Alexander Sokurov’s Fairytale (Skazka, 2022)

Vol. 133 (March 2023) by Antonis Lagarias
Four protagonists of WWII convene at the gate to heaven.

Irma Pužauskaitė’s The 9th Step (9-tas Zingsnis, 2022)

Vol. 133 (March 2023) by Jack Page
A film on life with and after addiction.

Dominik Mencej’s Riders (Jezdeca, 2022)

Vol. 133 (March 2023) by Jack Page
The buddy road trip is brought back to life by this recent Slovenian feature.

Alisa Kovalenko’s We Will Not Fade Away (My ne zgasnemo, 2023)

Vol. 132 (February 2023) by Zoe Aiano
A portrait of the youth in a community that has been uprooted by war.

Vera Lacková’s How I Became a Partisan (Ako som sa stala partizánkou, 2021)

Vol. 132 (February 2023) by Alice Heneghan
A young woman inquires into the story of her grandfather and the forgotten fate of Roma during WWII.

Juraj Lerotić’s Safe Place (Sigurno mjesto, 2022)

Vol. 132 (February 2023) by Ana Grgić
A strongly autobiographical film about the elusiveness of mental health.

Anna Shishova’s The New Greatness Case (Ansa Moskovassa, 2022)

Vol. 131 (January 2023) by Colette de Castro
A rare Russian film not shunned by the international film community.

Aida Begić’s A Ballad (Balada, 2022)

Vol. 131 (January 2023) by Ana Grgić and Antonis Lagarias
Aida Begić’s latest film resists readymade interpretations when it comes to its representations of life on the Balkans and of feminism.

Marek Kozakiewicz’s Silent Love (2022)

Vol. 131 (January 2023) by Zoe Aiano
Marek Kozakiewicz navigates the strengths and ethical challenges of documentary filmmaking.
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