Motivic Merrymaking in the Musical Films of Grigori Aleksandrov and Ivan Pyryev

Vol. 110 (December 2020) by Wolfgang Thiel
Wolfgang Thiel retraces the development of the Soviet musical.

Russian Cinema’s Post-Punk Dream

Vol. 110 (December 2020) by Maxim Plokhikh
Maxim Plokhikh examines the iconic role of Soviet musician Viktor Tsoi on screen.

Iconoclasm in Igor and Gleb Aleynikov’s The Revolutionary Sketch (Revolutsionii Etiud, 1987)

Vol. 109 (November 2020) by Oliver Banatvala
Oliver Banatvala addresses the iconoclastic tendencies of this short cinematic collage.

Igor and Gleb Aleynikov’s The Cruel Illness of Men (Zhestokaia bolezn’ muzhchin, 1987)

Vol. 109 (November 2020) by Emily Nill
Emily Nill emphasizes the critical potential of the Aleynikovs' engagement with the avant-garde.

[Western] Ukrainian Media Art of the late 1980s and early 1990s

Vol. 105 (May 2020) by Bohdan Shumylovych
Bohdan Shumylovych revisits the emergence of video art in Lviv in 1993.

Yuriy Hrytsyna’s Varta1 (2014) & Mykola Ridnyi’s Regular Places (2015)

Vol. 105 (May 2020) by Oleksiy Kuchansky
Oleksiy Kuchansky studies the expression of political instability as a form of artistic and political action.

Ukrainian Video Art in the 1990s and 2000s

Vol. 105 (May 2020) by Ianina Prudenko
Ianina Prudenko recounts the emergence of a Ukrainian Video Art scene.

Aleksandr Balagura’s Antologion (Ukrainian Film) (1996)

Vol. 105 (May 2020) by Anna Doyle
Anna Doyle revisits Balagura's Antologion on the occasion of our special issue on Ukrainian video art.

Vladimir Motyl’s The White Sun of the Desert (Beloye solntse pustyni, 1970)

Vol. 104 (April 2020) by Isaac W. R. Miller
Isaac W. R. Miller revisits Soviet Colonial ideology through a reading of this 1970 classic.

Sergei Paradjanov’s Kiev Frescoes (Kievski Freski, 1966)

Vol. 103 (March 2020) by Anna Doyle
Anna Doyle revisits Paradjanov's unfinished post-WWII project, which was originally intended as a feature length film.
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