Transitioning Between Televisions

Vol. 54 (June 2015) by Rohan Crickmar
Rohan Crickmar examines the Polish director's transnational ties with the TV industry.

Harutyun Khachatryan’s Return to the Promised Land (Veradardz avetyats yerkir, 1993)

Vol. 53 (May 2015) by Moritz Pfeifer
Moritz Pfeifer traces back the story of Harutyun Khachatryan's 1991 film to the Old Testament.

An Ode to Harutyun Khachatryan’s Films

Vol. 52 (April 2015) by Godfrey Reggio
American filmmaker Godfrey Reggio pays tribute to Harutyun Khachatryan in a short essay about his colleague's sense of time.

Agnieszka Holland’s Total Eclipse (1995)

Vol. 52 (April 2015) by Paulina Duda
Paulina Duda takes a fresh look at Holland's rendering of the love affair between two famous French poets but bemoans the lack of cinematographic poetry in the movie.

Harutyun Khachatryan’s Return of the Poet (Poeti veradardze, 2005)

Vol. 52 (April 2015) by Moritz Pfeifer
Moritz Pfeifer looks at this deeply nostalgic journey of the statue of the poet Javini traveling back home.

Martin Ťapák’s Pacho, Brigand of Hybe (Pacho, hybský zbojník, 1975)

Vol. 51 (March 2015) by Nicholas Hudáč
Nicholas Hudáč analyzes Martin Ťapák’s 1975 comedy against the background of Czechoslovak tensions in the cultural sphere.

A Brief Examination of Some Trends in Polish Comedy Films Since 2005

Vol. 51 (March 2015) by Rohan Crickmar
Rohan Crickmar closely examines recent developments in Poland's comedy landscape, and wonders why they are largely unknown to international audiences.

Eldar Shengelaia’s Blue Mountains aka An Unbelievable Story (Tsisperi mtebi anu daujerebeli ambavi, 1984)

Vol. 51 (March 2015) by Moritz Pfeifer
Moritz Pfeifer deliberates comedic elements in this parody of Soviet bureaucracy.

Eldar Shengelaia’s An Unusual Exhibition (Arachveulebrivi gamofena, 1968)

Vol. 51 (March 2015) by Konstanty Kuzma
Konstanty Kuzma burrows into the hidden and critical messages of Eldar Shengelaia's masterful comedy.

Paweł Pawlikowski’s Ida (2014)

Vol. 50 (February 2015) by Emilia Sieczka and Radoslaw Szymanski
Emilia Sieczka and Radoslaw Szymanski analyze the political meaning of Pawlikowski's main characters, using hermeneutic methodology to reflect on questions of moral autonomy.
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