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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Essay

Helena Třeštíková’s Mallory (2014)

Vol. 71 (January 2017) by Moritz Pfeifer
Is Helena Třeštíková aware of her work's moral implications?
Essay

Šarūnas Bartas’ The Corridor (1994), In Memory of a Day Gone By (1990), Three Days (1991)

Vol. 70 (December 2016) by Lukas Brašiškis
Lukas Brašiškis argues that it is everyday objects, rather than grand-scale events, which drive the lives of Bartas' early characters.
Essay

Soviet Occupation in Baltic Film

Vol. 69 (November 2016) by Zoe Aiano
Zoe Aiano recounts the way WWII films from the Baltics have kept reassigning the roles of culprits, albeit always from a position of moral superiority.
Essay

Son of Saul within the History of Holocaust Representation

Vol. 69 (November 2016) by Pau Bosch Santos
Pau Bosch Santos places Son of Saul within the context of the representability debates.
Essay

Historical Evidence in the Armenian Films of Yervant Gianikian and Angela Ricci Lucchi

Vol. 69 (November 2016) by Moritz Pfeifer
Moritz Pfeifer places Yervant Gianikian and Angela Ricci Lucchi's Armenian films in the context of the aesthetics that have dominated European memory culture.
Essay

Vitaly Mansky’s Under the Sun (V luchakh solnca, 2015)

Vol. 67 (September 2016) by Moritz Pfeifer
Vytaly Mansky's poignant documentary challenges the widely held belief that the indoctrination of people living under a terror regime like North Korea is complete.
Essay

France Štiglic’s Valley of Peace (Dolina Miru, 1956)

Vol. 66 (Summer 2016) by Clarence Tsui
Clarence Tsui retraces the unlikely historical background of this 1956 Yugoslav drama.
Essay

Michale Boganim’s Land of Oblivion (La terre outragée, 2011)

Vol. 65 (May 2016) by Ana Ribeiro
Ana Riberio analyzes the transnational aspects of Michale Boganim's Land of Oblivion.
Essay

How a Ukrainian Computer Game Transfigured Folkloric Processes of Remembering

Vol. 65 (May 2016) by Daniel Fuller
Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
Essay

Popular U.S. American Cinematographic Depictions of Chernobyl

Vol. 65 (May 2016) by Tetiana Ostapchuk
Ukrainian scholar Tetiana Ostapchuk locates negative national stereotypes in popular US-American productions about Chernobyl.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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