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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Essay

Mihovil Pansini’s Scusa Signorina (1963) & Karla Tobar’s <scanner_pack> project (2017)

Vol. 87 (September 2018) by Karla Tobar
Experimental filmmaker Karla Tobar reflects on her cinematic meeting with Mihovil Pansini's Scusa Signorina, a Yugoslav antifilm.
Essay

What Can Oleg Sentsov Die For?

Vol. 85 (May 2018) by Maria Kuvshinova
Maria Kuvshinova reflects on the bar set by Ukrainian filmmaker Sentsov for measuring dignity. Sentsov recently went on a hunger strike demanding the release of Ukrainian political prisoners in Russia, where he himself is serving a 20-year sentence.
Essay

S. Komandarev, M. Szymków, L. Dombrovszky, E. Moskvina & M. E. Scheidt’s Occupation 1968 (2018)

Vol. 84 (April 2018) by Konstanty Kuzma
This collaborative feature misidentifies the ghosts that haunt Europe today.
Essay

Maciej Drygas’ Hear My Cry (Usłyszcie mój krzyk!, 1991)

Vol. 84 (April 2018) by Moritz Pfeifer
Moritz Pfeifer locates Maciej Drygas' documentary on the self-immolation of Ryszard Siwiec at the beginning of what can be called the canonization of secret heroes, the rediscovery of political martyrs to construct identity-building historical narratives.
Essay

Srđan Spasojević’s A Serbian Film (Srpski Film, 2010)

Vol. 78 (October 2017) by Anna Batori
What is the intent and potential rationale behind Srdjan Spasojević's willingly degrading film?
Essay

Gustav Machatý’s Erotikon (1929) and Ecstasy (Ekstase, 1933)

Vol. 78 (October 2017) by Colette de Castro
These two films by Gustav Machatý try to capture the uncapturable - the female orgasm.
Essay

Věra Chytilová’s Fruit of Paradise (Ovoce stromu rajských jíme, 1970)

Vol. 78 (October 2017) by Zoe Aiano
Who's afraid of female sexuality, Věra Chytilová asks in her 1970 film.
Essay

Filming Homosexuality in the Yugoslav Black Wave (1967-1971)

Vol. 78 (October 2017) by Sanja Lazarević Radak
This essay retraces the way Black Wave directors instrumentalized forms of sexuality perceived as "deviant" for their artistic purposes.
Essay

Andrey Zvyagintsev’s Loveless (Nelyubov, 2017)

Vol. 77 (September 2017) by Moritz Pfeifer
Andrey Zvyagintsev's latest film is an overambitious metaphor about how we deal with our children.
Essay

Helena Třeštíková’s Mallory (2014)

Vol. 71 (January 2017) by Moritz Pfeifer
Is Helena Třeštíková aware of her work's moral implications?
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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