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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Essay

Arendt and the Politics of the Everyday in Loves of a Blonde

Vol. 87 (September 2018) by Reidar Due
Reidar Due challenges our common sense beliefs about Eastern Europe through an analysis of Forman's Loves of a Blonde.
Essay

Ewa Banaszkiewicz & Mateusz Dymek’s My Friend the Polish Girl (2018), Rustam Khamdamov’s The Bottomless Bag (2018)

Vol. 87 (September 2018) by Yoana Pavlova
Yoana Pavlova wonders where East and West can meet in times of the #MeToo movement.
Essay

Przemysław Branas’ Untitled (2017)

Vol. 87 (September 2018) by Łukasz Mojsak
Łukasz Mojsak returns to a Przemysław Branas video created for last year’s VIEWS 2017 exhibition in Warsaw, unearthing historical and topical themes of violence.
Essay

Notes on Multimedia Montage

Vol. 87 (September 2018) by Igor Simić
Artist-filmmaker Igor Simić shares his thoughts on montage, new media and the the future of cinema.
Essay

Mihovil Pansini’s Scusa Signorina (1963) & Karla Tobar’s <scanner_pack> project (2017)

Vol. 87 (September 2018) by Karla Tobar
Experimental filmmaker Karla Tobar reflects on her cinematic meeting with Mihovil Pansini's Scusa Signorina, a Yugoslav antifilm.
Essay

What Can Oleg Sentsov Die For?

Vol. 85 (May 2018) by Maria Kuvshinova
Maria Kuvshinova reflects on the bar set by Ukrainian filmmaker Sentsov for measuring dignity. Sentsov recently went on a hunger strike demanding the release of Ukrainian political prisoners in Russia, where he himself is serving a 20-year sentence.
Essay

S. Komandarev, M. Szymków, L. Dombrovszky, E. Moskvina & M. E. Scheidt’s Occupation 1968 (2018)

Vol. 84 (April 2018) by Konstanty Kuzma
This collaborative feature misidentifies the ghosts that haunt Europe today.
Essay

Maciej Drygas’ Hear My Cry (Usłyszcie mój krzyk!, 1991)

Vol. 84 (April 2018) by Moritz Pfeifer
Moritz Pfeifer locates Maciej Drygas' documentary on the self-immolation of Ryszard Siwiec at the beginning of what can be called the canonization of secret heroes, the rediscovery of political martyrs to construct identity-building historical narratives.
Essay

Srđan Spasojević’s A Serbian Film (Srpski Film, 2010)

Vol. 78 (October 2017) by Anna Batori
What is the intent and potential rationale behind Srdjan Spasojević's willingly degrading film?
Essay

Gustav Machatý’s Erotikon (1929) and Ecstasy (Ekstase, 1933)

Vol. 78 (October 2017) by Colette de Castro
These two films by Gustav Machatý try to capture the uncapturable - the female orgasm.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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