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  • Retrospectives
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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Interview

Joanna Kos-Krauze on Papusza

Vol. 37 (January 2014) by Julia Zelman
Julia Zelman met the co-director of Papusza during the Cottbus Film Festival to speak to her about the making of the film, which was screening in-competition.
Interview

Mira Fornay on My Dog Killer

Vol. 36 (December 2013) by Julia Zelman
Slovak director Mira Fornay discusses the financial, social and political background of her film.
Interview

Şerban Oliver Tătaru on Anatomy of a Departure

Vol. 35 (November 2013) by Konstanty Kuzma
Şerban Tătaru speaks about his film, the Romanian New Wave, working in Germany, and Romanian documentaries.
Interview

Jan Kačer on his Career

Vol. 33 (September 2013) by Konstanty Kuzma
Czech New Wave actor Jan Kačer speaks about his career, the political climate in the 1960s, and his collaboration with Evald Schorm.
Interview

Benedek Fliegauf on Just the Wind

Vol. 32 (August 2013) by Moritz Pfeifer
Moritz Pfeifer met Benedek Fliegauf to speak to him about his latest film, its reception, and making films in Hungary.
Interview

György Pálfi on his Work

Vol. 31 (July 2013) by Konstanty Kuzma
Konstanty Kuzma met Pálfi to speak to him about his directorial style, the problems of political filmmaking, and where he sees Hungary today.
Interview

Réka Kincses on Homeland, Sex and Further Inconveniences

Vol. 30 (June 2013) by Konstanty Kuzma
We met Réka Kincses to speak to her about her film, her methodology and Viktor Orban.
Interview

Jiří Menzel on his Career

Vol. 30 (June 2013) by Konstanty Kuzma
Jiří Menzel speaks about changing perceptions of his films, being part of a cinematic movement, and the risks and merits of freedom.
Interview

Alexei Fedorchenko on Silent Souls

Vol. 30 (June 2013) by Moritz Pfeifer
Moritz Pfeifer met Alexei Fedorchenko to speak to him about Celestial Wives of the Meadow Mari and Silent Souls, his stylistic choices, and comedy films in Russia.
Interview

Anka and Wilhelm Sasnal on It Looks Pretty from a Distance

Vol. 29 (May 2013) by Colette de Castro
We talked to the co-directors of It Looks Pretty from a Distance about their non-Polish influences, painting, poetry, and nature's role in film.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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