• Perspectives
  • Retrospectives
  • Interviews
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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Elina Bolshenkova, Rupert Clervaux and Stas Sharifullin’s Revolution 0 (2021) & Katerina Bychkova and Taya Galkova’s Katya (2021)

Vol. 120 (December 2021) by Anna Doyle
Two experimental fusions of poetry and music point to a way out of solipsism.
Review

Elitza Gueorguieva’s Our Quiet Place (Un endroit silencieux, 2021)

Vol. 119 (November 2021) by Zoe Aiano
Two young women of Eastern European origin bond over a shared quest to master the French language.
Review

Maradia Tsaava’s Water Has No Borders (Tskals sazghvrebi ar akvs, 2021)

Vol. 119 (November 2021) by Zoe Aiano
The Engari dam straddles Georgian and Abkhazian territory, thus being at the center of both geopolitical and personal realities.
Review

Stefan Pavlović’s Looking for Horses (2021)

Vol. 119 (November 2021) by Jack Page
A documentary reflection on trauma and the power of friendship.
Review

Aleksei German Jr.’s House Arrest (Delo, 2021)

Vol. 119 (November 2021) by Colette de Castro
Aleksei German Jr.'s latest film is the portrait of a university professor facing political pressure.
Review

Jan Šikl’s Reconstruction of Occupation (Rekonstrukce okupace, 2021)

Vol. 119 (November 2021) by Colette de Castro
Jan Šikl revisits the Prague Spring by assembling a collection of contemporary home movies.
Review

Stanislav Dorochenkov’s ILIAZD (2021)

Vol. 118 (October 2021) by Anna Doyle
An experimental engagement with the life of avant-garde figure Ilia Zdanevich.
Review

Alexandra Anikina’s Data Field (2021)

Vol. 118 (October 2021) by Anna Doyle
An exploration of digitality and its relation to our mythical past.
Review

Dina Karaman’s Letters about the End of the World (Pisma o konce sveta, 2020)

Vol. 118 (October 2021) by Anna Doyle
A reflection on dreams and society during lockdown.
Review

Kirill Serebrennikov’s Petrov’s Flu (Petrоvy v grippe, 2021)

Vol. 118 (October 2021) by Antonis Lagarias
What, if anything, does Serebrennikov's film tell us about contemporary Russia?
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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