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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Editorial

Editorial

Vol. 103 (March 2020) by Editors
Review

Anna Eborn’s Transnistra (2019)

Vol. 103 (March 2020) by Daniil Lebedev
Daniil Lebedev reflects on the power of improvisation in film.
Review

Radu Jude’s Uppercase Print (Tipografic majuscul, 2020)

Vol. 103 (March 2020) by Zoe Aiano
Radu Jude continues to pursue two missions that have come to define his career.
Review

Iryna Tsilyk’s The Earth Is Blue as an Orange (2020)

Vol. 103 (March 2020) by Zoe Aiano
This film explores everyday life and the role of storytelling in a recovering war zone.
Review

Natalija Yefimkina’s Garage People (Garagenvolk, 2020)

Vol. 103 (March 2020) by Zoe Aiano
This documentary explores garages populating the outskirts of Russian towns.
Interview

Natalija Yefimkina on Garage People

Vol. 103 (March 2020) by Zoe Aiano
Berlin-based filmmaker Natalija Yefimkina discusses her film and points out how documentary filmmaking lacks support.
Essay

Sergei Paradjanov’s Kiev Frescoes (Kievski Freski, 1966)

Vol. 103 (March 2020) by Anna Doyle
Anna Doyle revisits Paradjanov's unfinished post-WWII project, which was originally intended as a feature length film.


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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