László Nemes’ Son of Saul (Saul fia, 2015)

Vol. 66 (Summer 2016) by Jack Page
Nemes’ Son of Saul is a sobering portrayal of one man’s final search for atonement in the living nightmare of World War II.

Cristi Puiu’s Sieranevada (2016)

Vol. 66 (Summer 2016) by Zoe Aiano
In Cristi Puiu's latest film, embittered disputes prelude a meal that may never get eaten.

Iglika Triffonova’s The Prosecutor, the Defender, the Father and His Son (2015)

Vol. 66 (Summer 2016) by Yoana Pavlova
The Prosecutor, the Defender, the Father and His Son is an overdue take on the sense of collective guilt related to the Yugoslav wars.

Petr Zelenka’s Lost in Munich (Ztraceni v Mnichově, 2015)

Vol. 66 (Summer 2016) by Zoe Aiano
This film addresses the Munich Agreement (or Betrayal) of 1938 through the story of Pavel (Martin Myšička), a frustrated journalist on the brink of losing his career and his wife.

Vladimir Tomić’s Flotel Europa (2015)

Vol. 66 (Summer 2016) by Zoe Aiano
In this autobiographical documentary, Vladimir Tomić relates the refugee crisis to the refugees of the Balkan wars.

Bogdan Mirică’s Dogs (Câini, 2016)

Vol. 66 (Summer 2016) by Zoe Aiano
Bogdan Mirică's debut feature is a meditation on some classical Western themes.

Laila Pakalniņa’s Dawn (Ausma, 2015)

Vol. 66 (Summer 2016) by Paulina Duda
Laila Pakalniņa's political satire Dawn is based on a shelved Eisenstein project and revisits Soviet myths.

Wojciech Staroń’s Brothers (Bracia, 2015)

Vol. 66 (Summer 2016) by Zoe Aiano
In Wojciech Staroń’s documentary, two brothers who managed to escape from a Soviet work camp, cannot escape each other.
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