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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Ana Urushadze’s Scary Mother (Sashishi deda, 2017)

Vol. 91 (January 2019) by Daniil Lebedev
Ana Urushadze’s debut feature about a struggling writer defies prevalent cliches about the martyrdom of art.
Essay

Vitaly Mansky’s Close Relations (Rodnye, 2016)

Vol. 91 (January 2019) by Konstanty Kuzma
Can Vitaly Mansky's documentary about his family and Ukraine at war live up to its reputation of bridging Eastern-Western divides?
Review

Radu Jude’s The Marshal’s Two Executions (Cele două execuții ale Mareșalului, 2018)

Vol. 91 (January 2019) by Colette de Castro
Radu Jude's latest feat compares original rushes of the execution of four collaborationist Romanian politicians with a fictional remake of the same scene.
Review

Valentyn Vasyanovych’s Black Level (Riven’ chornoho, 2017)

Vol. 91 (January 2019) by Isabel Jacobs
This low-budget feature from Ukraine gets entangled in compulsive experimentation.
Review

Alisa Kovalenko’s Home Games (2018)

Vol. 91 (January 2019) by Jack Page
A young woman is forced to choose between following her dream of playing football and caring for her siblings.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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