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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Editorial

Editorial

Vol. 99 (November 2019) by Editors
Festival

Thessaloniki 2019

Vol. 99 (November 2019) by Editors
Coverage from the 60th Thessaloniki Film Festival (October 30-November 10).
Review

Vinko Brešan’s What a Country! (Koja je ovo drzava!, 2018)

Vol. 99 (November 2019) by Lucian Tion
Vinko Brešan's mercurial comedy calls for the abolition of the Croatian state.
Interview

Vinko Brešan on What a Country!

Vol. 99 (November 2019) by Lucian Tion
We met Croatian filmmaker Vinko Brešan to discuss his recent comedy and its political implications.
Review

Dmitry Mamuliya’s The Criminal Man (Borotmokmedi, 2019)

Vol. 99 (November 2019) by Lucian Tion
Dmitry Mamuliya's film gets tangled up in its subjectivist premise.
Festival

Ji.hlava 2019

Vol. 99 (November 2019) by Editors
Coverage from the 24th Ji.hlava International Documentary Film Festival (October 24-October 29).
Review

Sergey Dvortsevoy’s Bread Day (Khlebnyy den, 1998)

Vol. 99 (November 2019) by Zoe Aiano
A remote village, recurrent routines and a straightforward filmmaking approach harmonize in Dvortsevoy’s early documentary.
Review

Tamara Kotevska and Ljubomir Stefanov’s Honeyland (2019)

Vol. 99 (November 2019) by Zoe Aiano
This all-too perfect documentary dwells on the fate of tradition in the modern world.
Review

Alex Brendea’s Teach (Profu’, 2019)

Vol. 99 (November 2019) by Zoe Aiano
Alex Brendea reverses the dynamics of the classic one-man versus the broken system narrative.
Review

Johana Ožvold’s The Sound is Innocent (2019)

Vol. 99 (November 2019) by Zoe Aiano
This creative documentary tests genre conventions only to lose its way.


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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