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Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
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East European Film Bulletin -
  • Perspectives
  • Retrospectives
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Editorial

Editorial

Vol. 24 (December 2012) by Editors
Review

Ion Popescu-Gopo’s A Bomb Was Stolen (S-a furat o bombă, 1961)

Vol. 24 (December 2012) by Konstanty Kuzma
Romanian spy film from 1961, two criminal gangs try to get hold of a nuclear bomb.
Interview

Ognjen Sviličić on Sorry for the Kung Fu

Vol. 24 (December 2012) by Moritz Pfeifer
Moritz Pfeifer met Sviličić during the Croatie, la voici festival in Paris to talk to him about his films, Croatia’s upcoming EU entry, and parallels between Croatian and Romanian cinema.
Review

Ognjen Sviličić’s Sorry for the Kung Fu (Oprosti za kung fu, 2004)

Vol. 24 (December 2012) by Moritz Pfeifer
This film revolves around Mira, a young woman who returns home pregnant to Croatia after the war.
Review

Kasia Adamik’s The Offsiders (Boisko bezdomnych, 2008)

Vol. 24 (December 2012) by Colette de Castro
Polish helmer Kasia Adamik illustrates the life of homeless people on the territory of Poland’s former National Stadium.
Interview

Emil Christov on The Color of the Chameleon

Vol. 24 (December 2012) by Anastasia Eleftheriou
Anastasia Eleftheriou met Christov at the Thessaloniki IFF to speak to him about his latest film.
Review

Emil Christov’s The Color of the Chameleon (Zincograph, 2012)

Vol. 24 (December 2012) by Anastasia Eleftheriou
In this spy film from 2012, a Bulgarian secret agent uses the system’s oppressive tactics against itself…


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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