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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Editorial

Editorial

Vol. 70 (December 2016) by Editors
Interview

Šarūnas Bartas on his Work

Vol. 70 (December 2016) by Lukas Brašiškis
Bartas responds to our questions concerning his films, his style, and his philosophy.
Festival

Alternative Film/Video Festival 2016

Vol. 70 (December 2016) by Editors
Live coverage from the Alternative Film/Video Festival in Belgrade (December 7-12)
Review

Goran Škofić’s Sector (2015) & Elena Artemenko’s Soft Power (2016)

Vol. 70 (December 2016) by Rohan Crickmar
Sector and Soft Power use choreography as a metaphor for cohesion and division respectively.
Review

Andrea Slováková’s Recovering Industry (Rekonstrukce průmyslu, 2015)

Vol. 70 (December 2016) by Rohan Crickmar
Film theorist and documentarian Andrea Slováková explores the matrix of industrial interdependencies.
Review

Aljona Surzhikova’s Not My Land (Suur-Sõjamäe, 2015)

Vol. 70 (December 2016) by Isabelle de Pommereau
Aljona Surzhikova explores the suppressed topic of Estonia's Russian-speaking minority.
Review

Dalibor Barić’s Nepoznate energije, neidentificirani osjećaji (2015)

Vol. 70 (December 2016) by Rohan Crickmar
In his most ambitious animation to-date, Dalibor Barić explores the limits of formal and narrative experimentation.
Review

Szabolcs Hajdu’s It’s Not the Time of My Life (Ernelláék Farkaséknál, 2016)

Vol. 70 (December 2016) by Anna Batori
Szabolcs Hajdu is back with a feature starring his family as cast and their apartment as setting.
Essay

Šarūnas Bartas’ The Corridor (1994), In Memory of a Day Gone By (1990), Three Days (1991)

Vol. 70 (December 2016) by Lukas Brašiškis
Lukas Brašiškis argues that it is everyday objects, rather than grand-scale events, which drive the lives of Bartas' early characters.
Review

Ana Hušman’s Almost Nothing (2016) & Péter Lichter’s Non-Places: Beyond the Infinite (2016)

Vol. 70 (December 2016) by Rohan Crickmar
A Hungarian film infused with philosophical obsessions with decay and Ana Hušman’s latest work both dwell upon what is absented from vision.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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