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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Editorial

Editorial

Vol. 92 (February 2019) by Editors
Review

Damjan Kozole’s Spare Parts (Rezervni deli, 2003)

Vol. 92 (February 2019) by Alice Heneghan
Shocking events such as the trafficking of illegal immigrants happen much closer to home than people often expect.
Interview

Damjan Kozole on his Films

Vol. 92 (February 2019) by Alice Heneghan
Slovenian filmmaker Damjan Kozole speaks about the idea behind his 2003 feature Spare Parts, his career beginnings, and the future of cinema.
Review

Paweł Pawlikowski’s Cold War (Zimna wojna, 2018)

Vol. 92 (February 2019) by Daniil Lebedev
The latest Pawlikowski film revolves around the theme of “love as risky business”.
Review

Roman Bondarchuk’s Ukrainian Sheriffs (2015)

Vol. 92 (February 2019) by Daniel Fuller
Two men have been deputized by the Mayor to maintain some semblance of order in the Ukrainian village of Stara Zburjivka.
Review

Vadym Ilkov’s My Father is My Mother’s Brother (Tato – mamyn brat, 2018)

Vol. 92 (February 2019) by Jack Page
Underground artist and musician Tolik spends his days juggling a routine of painting, song writing and caring for his niece Katya.
Review

Anja Kofmel’s Chris the Swiss (2018)

Vol. 92 (February 2019) by Alice Heneghan
Illustrator Anja Kofmel paints a subjective portrait of her journalist-turned-soldier cousin Christian Würtenberg, who died during the Yugoslav wars.
Review

Elmar Imanov’s End of Season (Ende der Saison, 2019)

Vol. 92 (February 2019) by Rohan Crickmar
Imanov’s screenplay (co-written with Anar Imanov) is a scathing rally against sentimentalism.
Review

Simona Kostova’s Thirty (Dreissig, 2018) & Ena Sendijarević’s Take Me Somewhere Nice (2019)

Vol. 92 (February 2019) by Rohan Crickmar
Two female filmmakers with Balkan background work around the edges of their own biographies.
Interview

Simona Kostova and Ceylan Ataman-Checa on Thirty

Vol. 92 (February 2019) by Rohan Crickmar
Director-producer duo Simona Kostova and Ceylan Ataman-Checa speak about the making of their impressive no-budget debut feature.


The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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