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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Andrei Gruzsniczki’s No Rest For The Old Lady (După 40 de zile, 2021)

Vol. 118 (October 2021) by Antonis Lagarias
This film questions the longevity of friendship against the backdrop of local customs.
Review

Sergei Loznitsa’s Babi Yar. Context (2021)

Vol. 116 (Summer 2021) by Antonis Lagarias
Sergei Loznitsa revisits another dark chapter in the history of the 20th century.
Review

Marian Crişan’s The Campain (Berliner, 2020)

Vol. 111 (January 2021) by Antonis Lagarias
Corruption and cynicism dominate Marian Crişan’s trite portrait of political culture.
Review

Siamak Etemadi’s Pari (2020)

Vol. 111 (January 2021) by Antonis Lagarias
A woman loses herself while searching for her son in the streets of Athens.
Review

Maria Yatskova’s Miss Gulag (2007)

Vol. 108 (October 2020) by Antonis Lagarias
Can this film about a Siberian prison for female offenders unveil the unseen?
Review

Daniil Zinchenko’s Tinnitus (2019)

Vol. 102 (February 2020) by Antonis Lagarias
In his creative documentary, Daniil Zinchenko approaches Death by portraying a 90s underground scene.
Review

Carolin Koss’ Copper Mountains (2019)

Vol. 102 (February 2020) by Antonis Lagarias
This environmental documentary raises questions about the efficacy of political filmmaking.
Review

Lana Gogoberidze’s Some Interviews on Personal Matters (Ramdenime interviu pirad sakitkhebze, 1978)

Vol. 100 (December 2019) by Antonis Lagarias
A woman journalist interviews women on personal matters, thereby unveiling the patriarchal and oppressive fabric of society.
Review

Sally Potter’s I Am An Ox, I Am A Horse, I Am A Man, I Am A Woman (1987)

Vol. 100 (December 2019) by Antonis Lagarias
In this documentary commissioned by British television, Sally Potter dealt with the role of women in the Soviet film industry.
Review

Maria Saakyan’s I’m Going to Change My Name (Alaverdi, 2013)

Vol. 97 (September 2019) by Antonis Lagarias
Maria Saakyan zeroes in on conveying a sense of subjectivity in her playful coming-of-age story.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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