Ania Szczepanska’s We Film the People (Nous filmons le peuple, 2012)

Vol. 42 (June 2014) by Colette de Castro
In her documentary, Ania Szczepanska meets the directors of Polish cinema’s golden age.

Peter Kerekes on Velvet Terrorists

Vol. 41 (May 2014) by Colette de Castro
Colette de Castro interviewed Peter Kerekes about the collaborative feature Velvet Terrorists.

Ivan Ostrochovský, Pavol Pekarčík, Peter Kerekes’ Velvet Terrorists (Zamatoví teroristi, 2013)

Vol. 41 (May 2014) by Colette de Castro
This collaborative, experimental film follows the fate of three dissidents who were jailed for committing terrorist acts under Czechoslovak Socialism.

Didier Guillain and Christiane Schmidt’s The Forest is Like the Mountains (Padurea e ca muntele, vezi?, 2014)

Vol. 41 (May 2014) by Colette de Castro
This visually rich documentary is set around a small Roma village.

Piotr Stasik’s Diary of a Journey (Dziennik z podróży, 2013)

Vol. 39 (March 2014) by Colette de Castro
This quaint documentary is about an unusual pair of photographers who travel around Poland to “capture their beautiful country”.

Athanasios Karanikolas on At Home

Vol. 38 (February 2014) by Colette de Castro
Colette de Castro spoke with the director of At Home about the motivations for his film and the social attitudes of the upper class in Greece.

Athanasios Karanikolas’s At Home (Sto spiti, 2014)

Vol. 38 (February 2014) by Colette de Castro
Colette de Castro saw this family drama about abandonment, racism, and lack of solidarity.

Corneliu Porumboiu’s The Second Game (Al Doilea Joc, 2014)

Vol. 38 (February 2014) by Colette de Castro
Corneliu Porumboiu’s latest film is a feature documentary about football and more.

Marcin Koszałka’s The Lust Killer (Zabójcę z lubieżności, 2013)

Vol. 38 (February 2014) by Colette de Castro
Colette de Castro saw this disturbing documentary about a notorious serial killer and the obsession of a journalist with the criminal.

Mike Lerner and Maxim Pozdorovkin’s Pussy Riot: A Punk Prayer (2013)

Vol. 36 (December 2013) by Colette de Castro
Colette de Castro addresses aspects of performativity and demonization in the light of this recent documentary.
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