Ioana Uricaru’s Lemonade (Luna de miere, 2017)

Vol. 83 (March 2018) by Jack Page
Uricaru's debut feature is an embittered and scathing vision of immigrant life in contemporary America.

Kasia Rosłaniec’s Satan Said Dance (Szatan kazał tańczyć, 2016)

Vol. 80 (December 2017) by Jack Page
Kasia Rosłaniec's experimental feature depicts the life of an imaginary writer of the "Selfie" generation through 2-minute sequences.

Cristi Iftime’s Marita (Marița, 2017)

Vol. 79 (November 2017) by Jack Page
Jack Page reviews Cristi Iftime's latest film, which revolves around the dysfunctional relationship between a father and his son.

Robert Kirchhoff’s A Hole in the Head (2016)

Vol. 75 (May 2017) by Jack Page
Kirchhoff’s documentary essay about the Romani holocaust stresses the right to resist the erasure of traumatic artifacts.

Andrius Blaževičius’ The Saint (Šventasis, 2016)

Vol. 70 (December 2016) by Jack Page
In Andrius Blaževičius’ ironically titled film, a man fearing for his masculinity befriends the idea of being religious.

Anka and Wilhelm Sasnal’s The Sun, the Sun Blinded Me (2016)

Vol. 68 (October 2016) by Jack Page
In their latest film, the Sasnals adopt the perspective of an isolated misanthrope to tackle issues of racism and xenophobia.

Bartosz M. Kowalski’s Playground (Plac zabaw, 2016)

Vol. 68 (October 2016) by Jack Page
Bartosz Kowalski's controversial debut features follows two school boys as they spread danger and despair.

Sofia Exarchou’s Park (2016)

Vol. 68 (October 2016) by Jack Page
Sofia Excarchou examines the aftermath of Greece's ongoing, economic crisis through a story revolving around children.

Kadri Kõusaar’s Mother (Ema, 2016)

Vol. 68 (October 2016) by Jack Page
In Kadri Kõusaar’s feature, a village is shook by a mysterious murder.

László Nemes’ Son of Saul (Saul fia, 2015)

Vol. 66 (Summer 2016) by Jack Page
Nemes’ Son of Saul is a sobering portrayal of one man’s final search for atonement in the living nightmare of World War II.
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