Stefan Constantinescu & Visual Art in Romania

Vol. 11 (November 2011) by Konstanty Kuzma
This essay challenges the notion of avant-garde in the context of Romanian cinema by looking at the work of visual artist Stefan Constantinescu.

Adrian Sitaru on Best Intentions

Vol. 10 (October 2011) by Konstanty Kuzma
Sitaru speaks about his protagonist Alex, the idea behind the film, and subjective cinema.

Lucian Pintilie’s The Reenactment (Reconstituirea, 1967)

Vol. 10 (October 2011) by Konstanty Kuzma
In his essay on Pintilie's The Reenactment, Konstanty Kuzma thinks about political and aesthetic fictions.

Adrian Sitaru’s Hooked (Pescuit sportiv, 2009)

Vol. 10 (October 2011) by Konstanty Kuzma
Adrian Sitaru's debut tells the story of a couple that sets out on a picnic trip where they are joined by an odd stranger.

Alexander Sokurov’s The Sun (Solntse, 2005)

Vol. 9 (September 2011) by Konstanty Kuzma
This 2005 film is part of Alexander Sokurov's series of portrayals on power. The film follows Emperor Shōwa during Japan's surrender in the Second World War.

Nae Caranfil’s The Rest is Silence (Restul e tacere, 2007)

Vol. 7 (July 2011) by Konstanty Kuzma
Nae Caranfil's The Rest is Silence reconstructs the making-of of Romania's first feature film.

Cristi Puiu’s Stuff and Dough (Marfa şi banii, 2001)

Vol. 7 (July 2011) by Konstanty Kuzma
In Cristi Puiu's debut, two young men get involved in a pursuit when trying to make quick money with a dubious job.

Constantin Popescu on Principles of Life

Vol. 6 (June 2011) by Konstanty Kuzma
Popescu discusses the protagonist of Principles of Life and the premise of the film.

Constantin Popescu’s Principles of Life (Principii de viaţă , 2010)

Vol. 6 (June 2011) by Konstanty Kuzma
Constantin Popescu focuses on an anti-hero who tries to deal with his environment.

Alexander Mindadze’s Innocent Saturday (V Subbotu , 2011)

Vol. 6 (June 2011) by Konstanty Kuzma
Alexander Mindadze’s feature is set in the night of the catastrophe in Chernobyl ’86.
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