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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Essay

The Video and Performance Art of Zoran Todorović

Vol. 26 (February 2013) by Konstanty Kuzma
The work of Serbian video and performance artist Todorović revolves around "micro-" and "bio"-political problems in our society.
Interview

Zaza Rusadze on A Fold in My Blanket

Vol. 26 (February 2013) by Konstanty Kuzma
We met Zaza Rusadze to speak to him about his film and the prospects of new Georgian cinema.
Review

Miklós Jancsó’s Wake Up, Mate, Don’t You Sleep (Kelj fel, komám, ne aludjál!, 2002)

Vol. 26 (February 2013) by Konstanty Kuzma
Konstanty Kuzma argues that Miklós Jancsó's problematic film from 2002 points to his artistic arrogance.
Review

Zaza Rusadze’s A Fold in My Blanket (Chemi sabnis naketsi, 2013)

Vol. 26 (February 2013) by Konstanty Kuzma
Zaza Rusadze’s debut feature oscillates between truth and phantasy, ultimately unable to stand on firm ground.
Review

Nana Ekvtimishvili’s and Simon Groß’ In Bloom (Grzeli nateli dgeebi, 2013)

Vol. 26 (February 2013) by Konstanty Kuzma
This problematic film nominally deals with Georgia’s past, and is stylistically heavily inspired by Cristian Mungiu.
Essay

Karoly Makk’s Love (Szerelem, 1971)

Vol. 25 (January 2013) by Konstanty Kuzma
Konstanty Kuzma compares Karoly Makk's 1971 film with Michael Haneke's Amour and Ulrich Seidl's Paradise: Love.
Review

Ion Popescu-Gopo’s A Bomb Was Stolen (S-a furat o bombă, 1961)

Vol. 24 (December 2012) by Konstanty Kuzma
Romanian spy film from 1961, two criminal gangs try to get hold of a nuclear bomb.
Review

Živojin Pavlović’s See You in the Next War (Nasvidenje v naslednji vojni, 1980)

Vol. 23 (November 2012) by Konstanty Kuzma
In this Yugoslav production from 1980, a young man joins the partisans in their struggle against the Nazis.
Review

Goran Marković’s Tito and Me (Tito i ja, 1992)

Vol. 22 (October 2012) by Konstanty Kuzma
In this Yugoslav cult comedy from the early 1990s, a boy claims his love for Tito is greater than that for his parents.
Review

Emir Kusturica’s Maradona by Kusturica (2008)

Vol. 21 (September 2012) by Konstanty Kuzma
Konstanty Kuzma saw Emir Kusturica's pseudo-documentary.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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