The work of Serbian video and performance artist Todorović revolves around "micro-" and "bio"-political problems in our society.
Konstanty Kuzma argues that Miklós Jancsó's problematic film from 2002 points to his artistic arrogance.
Zaza Rusadze’s debut feature oscillates between truth and phantasy, ultimately unable to stand on firm ground.
This problematic film nominally deals with Georgia’s past, and is stylistically heavily inspired by Cristian Mungiu.
Konstanty Kuzma compares Karoly Makk's 1971 film with Michael Haneke's Amour and Ulrich Seidl's Paradise: Love.
Romanian spy film from 1961, two criminal gangs try to get hold of a nuclear bomb.
In this Yugoslav production from 1980, a young man joins the partisans in their struggle against the Nazis.
In this Yugoslav cult comedy from the early 1990s, a boy claims his love for Tito is greater than that for his parents.
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are as essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.