Vitaly Mansky’s Close Relations (Rodnye, 2016)

Vol. 91 (January 2019) by Konstanty Kuzma
Can Vitaly Mansky's documentary about his family and Ukraine at war live up to its reputation of bridging Eastern-Western divides?

Ivan Salatić’s You Have the Night (Ti imaš noć, 2018)

Vol. 90 (December 2018) by Konstanty Kuzma
Ivan Salatić’s debut feature is clumsily poised between personal drama and city study.

Revisiting the Ongoing Debates Concerning Věra Chytilová’s “Feminism”

Vol. 88 (October 2018) by Konstanty Kuzma
Konstanty Kuzma asks why we keep returning to a debate that seems settled.

S. Komandarev, M. Szymków, L. Dombrovszky, E. Moskvina & M. E. Scheidt’s Occupation 1968 (2018)

Vol. 84 (April 2018) by Konstanty Kuzma
This collaborative feature misidentifies the ghosts that haunt Europe today.

Peter Bebjak’s The Line (Čiara, 2017)

Vol. 83 (March 2018) by Konstanty Kuzma
This Slovak-Ukrainian co-production picks up two themes whose relevance has only increased since its release last year.

Juraj Lehotský’s Nina (2017)

Vol. 81 (January 2018) by Konstanty Kuzma
This look at teenage angst suffers from a superficial engagement with its narrative underpinnings.

Bojana Burnać’s My Life Without Air (Moj život bez zraka, 2017)

Vol. 77 (September 2017) by Konstanty Kuzma
Bojana Burnać dives into free diving, an extreme underwater sport.

Štěpán Altrichter’s Schmitke (2014)

Vol. 75 (May 2017) by Konstanty Kuzma
Konstanty Kuzma asks what drives young directors to the home of their parents to make films.

Kristýna Bartošová’s The Dangerous World of Doctor Doleček (Nebezpečný svět Rajka Dolečka, 2015)

Vol. 75 (May 2017) by Konstanty Kuzma
A director whose extended family fell victim to the Srebrenica massacre decides to make a film about one of its most prominent deniers.

Tereza Nvotová’s Filthy (Špína, 2017)

Vol. 74 (April 2017) by Konstanty Kuzma
Tereza Nvotová takes on the sensitive issue of rape.
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