S. Komandarev, M. Szymków, L. Dombrovszky, E. Moskvina & M. E. Scheidt’s Occupation 1968 (2018)

Vol. 84 (April 2018) by Konstanty Kuzma
This collaborative feature misidentifies the ghosts that haunt Europe today.

Peter Bebjak’s The Line (Čiara, 2017)

Vol. 83 (March 2018) by Konstanty Kuzma
This Slovak-Ukrainian co-production picks up two themes whose relevance has only increased since its release last year.

Juraj Lehotský’s Nina (2017)

Vol. 81 (January 2018) by Konstanty Kuzma
This look at teenage angst suffers from a superficial engagement with its narrative underpinnings.

Bojana Burnać’s My Life Without Air (Moj život bez zraka, 2017)

Vol. 77 (September 2017) by Konstanty Kuzma
Bojana Burnać dives into free diving, an extreme underwater sport.

Štěpán Altrichter’s Schmitke (2014)

Vol. 75 (May 2017) by Konstanty Kuzma
Konstanty Kuzma asks what drives young directors to the home of their parents to make films.

Kristýna Bartošová’s The Dangerous World of Doctor Doleček (Nebezpečný svět Rajka Dolečka, 2015)

Vol. 75 (May 2017) by Konstanty Kuzma
A director whose extended family fell victim to the Srebrenica massacre decides to make a film about one of its most prominent deniers.

Tereza Nvotová’s Filthy (Špína, 2017)

Vol. 74 (April 2017) by Konstanty Kuzma
Tereza Nvotová takes on the sensitive issue of rape.

Zuzana Piussi’s Czech Allah (Český Alláh, 2017)

Vol. 73 (March 2017) by Konstanty Kuzma
Zuzana Piussi's documentary recounts the Czech refugee debate.

Jiří Strach’s Osmy (2014)

Vol. 71 (January 2017) by Konstanty Kuzma
In Jiří Strach's grotesque comedy, a man is mistaken for a dissident when he signs the Charta 77 during a night of heavy drinking.

Sonja Schmid on Chernobyl

Vol. 65 (May 2016) by Konstanty Kuzma
We discussed the Chernobyl disaster with nuclear energy expert Sonja Schmid on the occasion of our special Chernobyl issue.
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